Alex Katz
Alex Katz
Alex Katz, born 1927 in New York as the son of Russian-Jewish immigrants, is one of the most important painters of our time, worldwide. Katz studied at the Cooper Union School of Art from 1946 to 1949. He then attended the renowned Skowhegan School of Painting and Sculpture, which would later also produce such important artists as David Reed and Jason Rhoades, among others. From the 1950s onward, Katz developed a very independent painterly language which addresses the traditional genre of the landscape, as well as the portrait or figure painting. Although the general public sees Alex Katz as a pop artist, he does not consider himself to be one. Rather than emanating from a graphic implementation, such as that which pervades the works of Robert Indiana or Roy Lichtenstein for example, his images always emanate from painting.
Katz always begins his work by occupying himself with paint, from which he develops his very characteristic large-scale intercourse with space. The design of his pictorial reality is usually laid out extensively and appears with sharp, clear edges in his works from, at the latest, the end of the 1960s onward. He sees himself as a post-abstract painter who, in his realistic painting style, arranges the figure elements and sign elements in such a way that the observers combine them “in their heads” themselves. Katz is interested in the elementary question: What is reality? Taking this question as a starting point, he has spent the past 50 years repeatedly exploring possible ways with which “realism” can be redefined. Color and light play a central role in his works. Thus, even despite the ostensible realism, he pays less attention to the motif than to the look and style, i.e. the appearance. Alex Katz is represented in numerous international private collections and museum collections, and can look back on a wealth of international exhibition activity.
Available WORKS
2021
Silkscreen on Saunders Waterford 425 gsm fine art paper
54 x 39 in.
Edition of 60
2021
Archival pigment ink print on Innova Etching Cotton Rag 315 gsm
35 x 70 in.
Edition of 100
2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm
26 x 15 in.
Edition of 50
2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm
26 x 15 in.
Edition of 50
2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm
26 x 15 in.
Edition of 50
2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm
26 x 15 in.
Edition of 50
2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm
26 x 15 in.
Edition of 50
2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm
26 x 15 in.
Edition of 50
2016
Cutout from shaped powder coated aluminum, printed with UV cured archival inks, clear coated, with wall mount brackets.
28 x 60 inches
Edition: 40
Edition No. 27
2021
1-color woodcut printed on Somerset White 300 gms fine art paper
18 x 15.75 inches (46 x 40 cm)
Edition: 75
Year: 2018
Archival pigment inks on Entrada 300 gsm paper
Size: 47x31 inches
Edition: 100
Unframed
2020
Cutout from shaped powder-coated aluminum, printed the same on each side with UV-cured archival inks, clear coated and mounted to a 3/8 inch aluminum base
29 x 21 x 3 inches (74 x 53 x 8 cm)
Edition: 60
Year: 2019
Medium: 19-color silkscreen
Paper: Saunders Water ford High White HP 425 gsm fine art paper
Size: 40×60 inches (102×152 cm)
Edition: 60
UNFRAMED
Year: 2018
Medium: Mirrored polished aluminum mounted on a cast bronze base
Size: 24.5 x 7.25 x 5 Inches (62 x 18 x 13 cm)
Edition: 35
Year: 2019
Medium: 20-color silkscreen
Paper: Saunders Water ford High White HP 425 gsm fine art paper
Size: 40×50 inches (102×127 cm)
Edition: 60
UNFRAMED
Year: 2019
Medium: 18-color silkscreen
Paper: Saunders Water ford High White HP 425 gsm fine art paper
Size: 40×50 inches (102×127 cm)
Edition: 60
Year: 2019
Medium: 20-color silkscreen
Paper: Saunders Water ford High White HP 425 gsm fine art paper
Size: 40×56 inches (102×142 cm)
Edition: 60
Unframed
Year: 2019
Medium: 22-color silkscreen
Paper: Saunders Water ford High White HP 425 gsm fine art paper
Size: 36×72 inches (91×183 cm)
Edition: 60
Framed in white gallery frame
Year: 2019
Medium: Cutout from shaped powder-coated aluminum, printed the same on each side with UV cured archival inks, clear coated and mounted to a 3/8 inch polished aluminum base
Size: 21 x 19 x 3 inches (53 x 48 x 7.5 cm)
Edition: 60
Year: 2019
Medium: 14-color silkscreen
Paper: Saunders Water ford High White HP 425 gsm fine art paper
Size: 40×55 inches (102×140 cm)
Edition: 60
Unframed
Year: 2018
Medium: Archival pigment inks on Crane Museo Max 365 gsm fine art paper
Size: 46 x 32 inches (117 x 81 cm)
Edition: 150
Framed in white gallery frame with museum UV glass
One Remaining
Year: 2018
Medium: 20-color silkscreen print
Size: 37 x 59 inches (94 x 150 cm)
Edition: 60
Unframed
2020
Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper
33 x 22 in.
Edition of 150
Signed by artists on lower left corner
Unframed
One Remaining
2016
Cutout from shaped powder coated aluminum, printed with UV cured archival inks, clear coated, and mounted to aluminum base with black powder coat.
24.25 x 54 x 4 inches
Edition: 4
Edition No. 2
Accompanied by custom aluminum stand with white powder coat.